One of Elisabeth Beckwitt’s key tenets as an artist is to shine a light on recovery from struggles with mental health and addiction. Sometimes, that journey takes those in recovery to unexpected places.
Beckwitt addresses that in her typical, head-on fashion with “Think You Are,” the title track from her forthcoming EP.
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Today, we head to the crossroads where modern meets vintage.
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This week’s edition of UMC20 mixes some brand new music with returning favorites.
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We’ve been receiving breadcrumbs all year from The Slow Drag, leading up to the eventual release of his debut full-length album, Dope Tunage Vol. 1.
Prepare yourself, for the day is here. Dope Tunage Vol. 1 has entered our lives!
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Some of independent music’s brightest up-and-coming stars will soon have the chance to see their names in lights at Nashville’s True Music Room.
One of the many wonders we’re finding out about Nashville is that you can catch live music almost anywhere, at just about any time.
That means if you want to enjoy brunch while listening to some of Music City’s renowned songwriters, you can do that.
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Last month, Nashville symphonic rockers EverSōl released the cathartic single, “Runaway,” then dubbed “a pensive tale of re-invention” from the demons that once ruled us.
The video, of course, is every bit as powerful.
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Photo credit: Raquel Aurilia
The best way to embark on any creative journey is often to pick a direction and just start. From there, the people you meet and experiences you share will light the way.
This is the case for adult contemporary artist Raquel Aurilia. The Arizona-based singer’s journey began by building her network, which has since led her to open for the likes of B.B. King, Pat Benatar, Gin Blossoms, and more, including a recent 25-show run in support of former Bad English frontman John Waite.
“I started later in life because I didn’t know how to start,” Aurilia noted. “Music is a different animal. It took me a while to meet the right people.”
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With today’s Daily Spinn, we #ThrowbackThursday to… just last week, actually.
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