Well folks, as though they hadn’t already done it several times over by now, TopHouse has arrived.
Their new EP, Campfire Stories, is a collection that will make you think, make you feel, and make you want to tap your toes and slap that tambo in the great outdoors with all your chosen family. It’s such an inspiring collection of songs that I needed to know more. So, while they picked their strings, I picked their brains.
READ THE INTERVIEW & HEAR THE EP
JD made the trip up to Nashville from Atlanta for a special and super-important episode of The Quinn Spinn. JD opens up about his own, in-the-moment journey navigating mental health struggles and societal expectations, and shares valuable lessons learned along the way.
However, like life, this episode isn’t all serious. Given who’s involved, you know we had to go off the rails a bit… 😉
Kyshona Armstrong believes in the power of music to heal and communicate. Kyshona used her artist platform and background in music therapy to launch Your Song, a collaborative songwriting program that connects performing arts centers, musicians, and artists with vulnerable communities to promote healing and community connectedness.
This conversation is about building community, lifting each other up, and remaining fearlessly authentic to your truth and your vision. Listen to get inspired!
For the past 25 years, Jenna Rose has had an unparalleled passion for supporting musicians, and an unmatched penchant for building relationships.
What started as superfandom for Tulsa-based sibling trio (and “MMMBop” songsmiths) Hanson has turned into two-and-a-half decades of connecting with people through music. Upon moving to Nashville in 2020, Jenna quickly immersed herself in the music industry, co-founding her own female-owned community organization, Music City Movement; becoming a contributor for Underground Music Collective; and, most recently, joining Nashville-based artist development company AGD Entertainment as an artist coach and program manager.
How has Jenna done it? By mastering the art of networking. Today, we’re honored to have Jenna share her insights and expertise with us!
Ender Bowen is a musician, author, filmmaker, and humanitarian with a lot to say, and plenty of methods by which to deliver his message. A relentless creative, Ender always has a new project (or a few) in the works, and he comes on The Quinn Spinn to discuss those projects, and his ever-evolving quest to keep them balanced with the other fulfilling areas of life — including family, spirituality, and more.
Peachkit is a modern pop/alternative artist who subscribes to the way creating music used to be — when the focus was not on making tabloid headlines, but on the music itself. The largely-anonymous artist, producer, and songwriter recently came to Nashville from the United Kingdom and is already making a splash: her single, “Like It (A Lot),” stood out among a strong field of 140 submissions to win the second edition of Songtank, a Songland-meets-Shark Tank broadcast competition from Helping Our Music Evolve (HOME).
Among her many accolades, Peachkit has multiple number one writing credits to her name. As an artist, she combines her knack for writing chart-topping hooks with raw honesty and social commentary to create her own brand of “Thinking Pop” — and she does it all while rarely, if ever, showing her face.
All told, Peachkit is a brilliant, world-aware creative soul who lets her music do the talking — and certainly, there is plenty of room for her voice! She’s truly in a league of her own, and we’re fortunate to have had the chance to chat in-depth. Check out the full convo below!
Previous HOME Elite Artist Spotlights:
Artist managers are the true Swiss Army Knives of the music industry. A few weeks ago, we spoke to a couple of artist managers about their many varied responsibilities, the importance of a strong artist-manager relationship, and more.
Since then, we’ve had more artist managers reach out to us, ready to share their wisdom and experience with us all. One thing that we’ve found throughout this process that no two artist managers are the same. They all carry different responsibilities, which may even vary from client to client. Even so, there are a couple of universal details which can’t be ignored:
Management is a partnership between the manager and the artist, and relationships are everything.
Today, we have two more artist managers in our midst to share their perspectives, and they are:
- Alex Halloran, Founder of Help The Bear Records and an artist manager with AGD Entertainment.
- Nicolas Larsson Billett, CEO of Midas Music, Inc.
Artist managers wear many hats. However, at the core of their job is the responsibility of ensuring that artists move steadfast toward their long-term creative and professional visions. For certain, a manager is one of “The 10 People Musicians Need on Their Side.”
What, exactly, are a manager’s responsibilities, both in a long-term sense and a day-to-day sense? Can — or should — one manager take on all of those responsibilities single-handedly? How do managers help artists build a strong team culture around their craft?
We asked two artist managers – Nathan Dohse, co-founder of AGD Entertainment and the author of the Zero to 60 by AGD artist development program, and Lexee Shapiro, co-founder & artist manager, 9802 Management – to share their experience, and their insight proves tremendously valuable for any artist looking to secure management. Simply put, this is a must-read!
For artists, there is much to consider when trying to score better live performance opportunities. Where can artists find paying gigs? Are the gigs in question the right fit for the artist? How can performers build relationships that will help them secure more opportunities and further their careers? Are there platforms out there that are designed to help performing artists as they search for these opportunities?
The latest article in our “10 People Musicians Need on Their Side” series tackles these questions. I reached out to Channing Moreland, who is the co-founder of EVA. EVA is an online marketplace that connects entertainers with paid live event opportunities. While it’s important to note that EVA itself is not a booking agency, EVA works directly with booking agents and independent artists alike to connect musicians and entertainers – of all disciplines and career levels – to paid performance opportunities at corporate events. These opportunities can be vital toward helping entertainers build lasting relationships and grow their platforms.
Musicians: whether it feels this way or not, opportunities to be seen and heard are all around you. I would know – I happen to run an independent music publication, a podcast, and an event production company. So, when Luke Holden and I divided up the articles for Muze’s “10 People Musicians Need on Their Side” series, I laid claim to the “Media Supporter” archetype right away.
What I didn’t want to do, though, is just have this be an op-ed about all of the things I look for when considering whether to feature an artist or their music. So, I received an assist from a couple of my peers in the industry for their takes on what they’re looking for, where they find new music, and other tips and tricks that will help you identify the right opportunities.