Dylan Odom — the Savannah, GA-based songsmith behind Harlan, Saved — didn’t act alone when he set out to release the project’s first EP, 1958. As good fortune would have it, he was able to enlist the help of his all-time favorite band.
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When Stephen Babcock comes to Nashville’s famous Bluebird Cafe this Friday, he will do so in celebration of his new album, When We Were Kids Ourselves. The 10-track offering is a nod to the ways we grow, as we encounter life changes and challenges in our relationships — with others, as well as ourselves.
“This album is about the journey and growth experiences post ‘growing up,'” Babcock states. “It’s so easy to feel isolated when you’re taking on something challenging in life, and we tend to normalize the idea that in adult life, we’re supposed to have it all figured out by now. I hope my music serves as a bastion for people experiencing challenging emotions, and I hope my voice can help those struggling to find the words they’re looking for in their own life.”
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Known as the “purple haired rock goddess,” audio-visual artist Anastasia Elliot is enigmatic to say the least. Her colorfully curated style, disciplined classical training, and her ability to create an entire immersive universe of cinematic wonder, all alchemize in such a way that sets her apart from fellow artists in the indie art rock world.
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Get ready to hear Richard String as you’ve never heard him before.
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“Well all hail and long live the legendary
-Dirty Heads, “Indigo”
We will prevail
And make old laws imaginary
It’s our time to shine light
Upon the darkest souls
I follow those who search for more than just a common role.”
Anyone who has followed Dirty Heads for a while know that this is a band unafraid of defying convention. The Huntington Beach, California natives — who gradually caught fire with their 2008 debut, Any Port in a Storm — have shown remarkable versatility over a career that spans nearly 20 years of exploration through reggae, hip hop, rock, roots, and all points in between.
It makes sense, then, that the band’s latest album, Midnight Control, features the band’s most seamless experimentation to date. True to the lyrics referenced above, they unapologetically continue to push the envelope in the modern music landscape.
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The lifelong search for happiness and lasting relationships can be draining on the soul, but it can also be the driving force of inspiration for great art. In this case, it certainly was.
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Fittingly titled for a fall release, Sun Goes Down by The Tisburys feels like a collection of music from nostalgic eras, spanning from the 1960s to the 80s, and united together on one reflective album. Vibing off the sounds of John Mellencamp, Vanity Fair, Tom Petty, and Wilco, this album feels like an old favorite the first time through.
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Oh, to be a fly on the wall of the New England church studio where this magical record was created.
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Austin, TX-based punks The Blowies are celebrating the release of their self-titled album in unconventional fashion. They are hosting a week full of programming titled The Blowies National Convention on their socials, where their aim is to heal the nation “one blowie at a time.”
We’ve always known Anthony Cubbage to be an innovative songsmith – one whose abilities as a songwriter, performer, and producer uniquely position him to do just about anything he pleases in the world of music.
After listening through Rivers – his first full-length release under his alt-folk project, AGE of the BEAR – we’re doubling down. Cubbage can go anywhere, into any genre he pleases, and deliver the goods.
Navigate ‘Rivers’